Adventurer #15
31 июля 2004 |
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Interface - Rybinsk interview with musician and artist Miguel / CPU.
When and why did you start writing music at Speke? The first attempts to write something appeared somewhere in the late 98-go/nachale 99-second period. At that time I basically tried to something to draw, participating in some crazy game projects then Ray'a that Cav Inc. 'a, playing and collecting Adventurer:) Interest same to spekovskoy music emerged a little earlier, it was almost as soon as I watched / participated in the assembly Pressure on Funtop, when we all gathered at the eyelids and the Chasm in the last night and edited the soundtrack, combining multiple patterns who wrote Never. I then thought this is crazy complex, this crazy editor Pro Tracker 2, some tsiferki, ornaments ... His was the first to Mouzon, I wrote to intruhe some (now not remember) the game we were going to insert into the application is already coming out of the magazine. On the dispute between Demon'om and Elf'om about Do I have time for 2 days or not, I made an absolute Miracle:) I was still even know what to put in for tsiferki the left-most column, although the addition of an envelope for me there were no other samples, well, except that the drums. Surely you gained experience by studying the works of other, more experienced and well-known authors. Who has influenced musicians from spekovskih your music at the time and whom you can call your own teacher? Certainly Never. It was from him I learned to combine with the bass drums, croaking sounds and samples of his I've learned to do something of their own. There was another Ironman, I had basically peeping interesting decorations. Your first music editor. As for me, Pro Tracker 2 so far remains something extremely uncomfortable, I started writing only when there was version 3.1. Now what do you think about his musical past, which important milestones in his career, can you mention? It is, in my opinion, very messy, a lot, I think I missed but some important stages of development will try to mention. Sure it's Chaos Constructions'1999. It is with participation in the music compo started my unsuccessful performances on all parties and because my character is only strengthened. Since then, I'm used to lose, get rid of unnecessary habits and went to where I and had to be. Already on CC'000 I made the track and a half minutes and then I for has learned that the track should be completed when you has nothing in it to say, and do not need anything extra. He was lost by the organizers, and my scratch disk covered, so that it remained only in my memory is as an event from the very Tracks I remember only the beginning, it was a warm-up teams Miguel Dreadful Band (it was then and there was this brand:)) on rehearsals, when each party has something there on your mind passing otstraivaya equipment. Naturally, no coherence, all played horrible, and then the drummer sets the rhythm - And away we go ... Then began the intro to the magazine. Never since that time have finished writing, then I had to move in this direction, the apotheosis of what, in my opinion, was the soundtrack to Adventurer # 13 where I felt complete freedom of action, quite without regard for the means, and concentrating on the topic. Still, the most important for me to track - Das Verbaten La Fuego Ver Chuta, participated in some of the Forever. Do you think you've got fans, and especially that they love to your music? What would you like to say to them? Absolutely know one, we had a Fixar, he told me himself said that he is my fan:)) And in general, I do not know. Many respectful of the fact that I do not know how it sincerely. Like what? Perhaps the unpredictability of my future research. I do not, I think, two identical tracks. Maybe what I paid much attention to rhythms and samples, because melody, as a rule, in most tracks slurred. What musical instruments do you use (if there is such) in the process of melody creation? Do you have experience in other platforms, and what do you think about this? I have a classical acoustic guitar, like, 77-year birth. A lot of what I wrote, it was realized First on her. Although, even here, Achim laughs about it, often was playing one thing and write another. But it is also called creativity. I tried to write something on pisi, though trackers me there somehow not attracted to, but the bend type Rebirth, Reason More represent any interest. While on my little p166-and be helped. On the other hand, I am with his extravagance, I write plays for 2 months and as a result is still not finish, plus great opportunities pisi, when the scatter eyes, I want to do both, and third, to get something output is generally unrealistic. Therefore, it is better I'll write in Speke, I have enough for his eyes and a listener, I there. You're self-critical? What is your weakest point - the rhythm, melody, arrangement, etc.? As already mentioned, the melody. I can not imagine how, say, Gasman Justinas or write these jazz, for me it is quite far away, them, in my opinion, you can get lost. Perhaps that is why I have all the usually clear and not too diverse. But it is clear and Energy, in my opinion, it is even stronger will. What music do you listen to? Which teams / projects affected Your approach to writing music, what moods and feelings you trying to convey through music? What do you think about remixes? Damn, was called, questions ... Just this very many, in different stages of life impact, too diverse. And Then, it is not in the brigades, for example, in two months Experiments can coerce only one a track or even part of it lasting a minute. So do not tell that there is something in particular, from the ones I podcherpyvayu ideas rhythm, the other on the melody and so on, always thinking through their the most unexpected combinations. That is only to implement a many do not survive:) The mood, too volatile and it is almost imperceptible. Of course, trying to convey as fully as possible and more diverse some range of feelings, often replacing it with another in the course of track. Remixes from the outset seemed to me a waste of time although they can fill their hand. Just the original is always better, and listen spekovsky option often unpleasant. Although it and wrote Nik-O:) On which party you attended, what place was the highest and what do you think about all this? Ouch. He participated in many, but again I repeat, was not in leaders. Here is the truth one of the last performances I really liked - Forever Quattro, when the last 3 places were I, with-jeff and key jee:))) Best! What to think? At last CAFe, by the way, I was not involved. Many people probably can accuse me of this, they say, if No one will participate in a party, there will be parties and the spectral zagnetsya%) Well, I just was not interested, write to the track party, squeezed out, will not enjoy it ... A stand old, as some (I will not point fingers), not for me. I really would rather write his kicks, and the rest of it, I sure will only get better. And if you think that if I do not put, it means that I lost - so it's not true! What do you feel when your track plays to the party? Excites you sound equipment used, or the voting public is all that not important? Uh, last time I heard something of his own, was a very long time. The last time at CAFe'2002 I felt bad for what I did not written, it seemed to me that when those opportunities and ideas, I have had before the party and I have not had time (we will not to point the finger because someone) to implement, could be bring rustling. The public and the equipment has ceased to be important, too long ago. All the same, neither one nor the other will not be perfect. Equipment always better at home, the audience is always the same. Do you have any interesting ideas about the future spekovskoy music? May have some ideas about hardware or software that could give new impetus or bring new paint in the process of writing music? I would like to combine digital and analog technology. It would be interesting to use the envelope on the background of digital samples. And the drums, most probably an important component, could give a lot in terms of drive. Maybe we should resume digital music compo. No less interesting would be to write for 2-AY. Current need is implemented so that no unnecessary hemorrhoids, both from the hardware and software. Actually, I dream that someone had taken from Alco Pro Tracker and did, finally, of his good and convenient editor. It is a pity that Sage have all turned down. What for you is now the most interesting - to improve in technique, being within a certain style, direction or same experiment with sounds and different approaches to the writing songs? Of course the second. Although the early to experiment with sound, if a technique you do not sechesh. It's like two and two before so as to raise questions about building peace. But just looking sound, different approaches by themselves make you think about Technology. So, if concluded, one without the other does not costs. And then the technique can be viewed in different aspects, in my opinion. Machinery arrangement, too, requires certain knowledge, the same basic musical literacy. What unrealized ideas do you have? Maybe you would like to write the soundtrack for the game, or even try Deme something, something never tried before, which would require new forces and new uses of your talent? In general, I want to write more for dem, I do attract namely soundtracks. What do you think about the co-kompozirovanii? I wonder whether this you? Name the three most interesting to you today authors. I never did not succeed. While I was trying to do something something with Moran'om, but nothing special had happened. So now I do not know how and with whom I could something to write about. Most interesting? Dick knows. As soon as someone starts me interest, he immediately disappoints me:) But probably it's still Nik-O, Fatal Snipe. Sometimes with-jeff. Say a few words to novice musicians. Well. First, let's say, listen more spekovskoy music. Evaluate and carp, look in the editor, learn and then forget everything and start to create his own!
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В этот день... 23 November