Scream #01
31 мая 2001 |
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Scene - thinking out loud: "Ha. And what if 'share ideas'? Forgive so - just language would scratch? I still paz povtopyayu something with which you do not upopno want to disagree do not know why: tvopchestvu HIKTO and HIKAKIMI thoughts will not help. "article from Manwe.
_ / Thoughts aloud .............................................. ..... (C) Manwe / Sands' Frown / Aienn (C) 7zone # 2 e-zine Instead of an epigraph. Fragment of dialogue from the conference su.music.creation (January 1999-year): BV> Ha. And what then "share ideas"? Just like that - just language would scratch? I repeat once again something with which you have consistently failed want to disagree do not know why: the creativity of NO and NO thoughts will not help. Manwe> mankind for thousands of years to develop, strengthen and perfected various philosophical concepts. And as science is that people learn, so the philosophy - understanding and spiritual enrichment. So we ask: Is a few thousand years People did not understand that you can not teach feel, and contemplate, teach deployed to express his thoughts, capacitance express themselves? I somehow think that "pseudoscience" philosophy intended to awaken in a person's inner resources, to realize its unity with the world, etc. Help a person to know yourself, specify what to listen, what to try improve, understanding what things to achieve - these tasks well under the force of Philosophy treatises set out on a normal paper. And is it possible then to say that "nobody No thought can help creativity? After the energy of creativity - The essence of spiritual impulses, and the capacity of translating feelings for, say, sound, to some extent depends on the development of self-contemplation and ability to express themselves. These skills lend themselves to development. More that - they need to be developed. On "how to" meet the book - as just all sorts of "philosophical treatises. And do not confuse it with technical literature (from the series "Music Theory"). "Empty chatter "they seem perhaps that the one who completely unable or unwilling to reflect on and improve. Thinking aloud (Manwe / Sands' Frown / Aienn) Frown: I remember in my time, I wrote two fairly abusive Article - N5 ("Apocrypha") and N6 ("Lovers of SUVs). Well, it was necessary to release a pair:) peace and quiet to watch human stupidity and the cries of "Throw keygen to the prog ********" I I can not. Then there was the time when I started a fairly long conversation with Manwe on ICQ - on the subject, why are we the tracker, why generally write music ... I - his worldview, he - his own. And it turns out that we are a little more like the Buddhists it turns out:) Well, the article - about how we see the world. The article is more or less objective - as much as two subjective opinion may coalesce into some semblance of something objective. Advance warning - the comments to this article superfluous. Consider it a fascinating read, if you will, but no need to cry "I do not agree." Do not agree - please write your article, but do not have to write to us abusive emails:) I also warn that my behavior is often very, very inadequate, and I am quite harsh in his judgments - and so on that Manwe for much of the Russian demoscene is sufficiently odious personality, to say nothing necessary. I give the floor Manwe - with my comments, of course (in brackets). Manwe: When you read the article, please do not think that I'm gone crazy:) If you're too lazy to delve into the philosophical arguments will send you immediately to a brief summary - the fourth paragraph of the article. Perhaps reading this summary piqued your interest to article as a whole. Having read only the summary, you will most likely only confusing, but may suddenly want to understand all this? .. Anyway, I want rasskazt how born music. How at one moment suddenly realize that something important in their life - and you already know how it sounds! That is, it turns much easier and more accurate to express that understanding music rather than words. I want to talk about how developing musical sensitivity and perception. And much more. 1. For a start - an introduction. In simple terms, a mild and with full household examples. Usually people open themselves to creative work, like a small child. For example, a small child sitting on log and brandishing wooden leg, fancies himself a fabulous knight - and the world is changing dramatically for him: the child sees a fairy tale. Him interested in this world, it seems wonderful and perfect. A world that is much richer real, world, which is possible thanks to fantasy, not the work of the mind, thanks chuvctvu, not experience. And a man immersed in the arts (music), he invents a story around it: kick the gong opens up vision of fantasy world ... Thus, a musician with his imagination and creates the ability to feel out primitives enriched with its own vision, a world that useless to try to estimate domestic standards - it is not true, and this in it - only "piece of wood instead of the sword" and "log instead of the horse "(as applied to music - a set of notes and instruments). It should be remembered how this fairy-tale world of roads to its creator. Therefore, any rational approach bystander declared by the author devastating. How to understand children's games can only children fully participating in them, and the author musical piece encourages the listener to adopt a Similar Copyright: imagination, feeling, focus on the musical side, and a full withdrawal from the technical. Often in comments to the entries (on the CD sleeve or song-massage trekernogo module) can read the recommendations on plays (such as "turn off the lights and relax"). In the Indeed, the author, as would calls on listeners to join in his game. If the game looks on the children's adult, depending on mood, he may take one of the positions: either indulgent tenderness, irritable or misunderstanding. How does an experienced teacher should be to at least partly to see Children play with their eyes! Next to us is important to understand that between adults and children have a fundamental difference ... Developing, the person becomes capable of creating and opening new things. As a child, all of its activities aimed at reflection of the external world. That is, the child absorbs from the world something, and this is reflected in its activities. The world moves child. An adult is able to enrich himself the world, is able to achieve the stage where his work will not be dictated existing conditions. On the contrary, an adult has opportunity to bring the world something new. Enrich the world [Frown: A very important point, in fact - the transition from level Consumer-child to a standard builder-adult!]. Child's activity is aimed at enriching the (development) of a (Even if, in the process of a child are any products of creativity - it is nothing like a game - most natural way of learning), while the activity adult may be (ideally - should be) directed at enrichment of the outside world. Here is the time to touch on the theme of eternal dispute about the role of intellect in the creative process. Child development can not be complete only when the so-called "spiritual development". A person can not become an adult, to stay at the children's level of intellectual development. It's like a basic postulate. Nobody can raise a child, being a child myself (and it - the main criteria "maturity": the ability to educate grade children). Thus, the transition from student-consumers in the state creator-adult only possible at a certain level intellectual development. It is this shift indicates end of the game-based training and the beginning of something infinitely more far beyond even the scope of the concept of "creativity." When the harmonious development of domestic music world is expanding simultaneously with the growth of the individual. Initially, the child always it seems that he has a rich representation of the surrounding world, and it is much more interesting than adults care. Remain in the children's world - quite tempting (nice, comfortable), but with time, with the help of parents the child, after all, develops and expands their understanding of the universe ... If the musician is a teacher, it is easier to grow. But if teachers No - the only way out: look at ourselves, aware (!) that your activities - a game for learning about the world. This important - not to overestimate the progress, achievements and awards - all only dekaratsii learning the game. And by the way, in order to understand and evaluate correctly (!) their degree of development ("age" on this path of understanding), this requires some experience reflections: Firstly, it must be seen; secondly, to understand; Third, we look back, assess the trajectory, then look forward and try to determine the direction of further development. Feel this way. This entry to the description of the philosophical-ideological concept that goes beyond the toy-philistine ideas about music. For adoption (and, ideally, for her self-inventing and further development) is needed more or less developed intellect and creative thinking. This I did not point out the alleged incredibly high level of of the authors:) - we are the same students as vast majority of people, we just felt, finally, under the feet of road, realize that we can move on him, and even started to build some suggestions on "how move on. "Paths set. And they all lead to one infinitely distant from us a point. But it so happened that we (Authors of the article, as well as a number of highly respected by us humans) grown in a specific subculture called "demoscene", therefore, our paths are quite close ... In this paper, we do not so try to demonstrate the viability of our cosmological concepts, how to show the importance of each creative personality development and understanding of their own concept, the importance of finding a path leading to the highest harmony and - importantly - to promote this way. Since all paths lead to one point (as we shall show below), with the development own, you will discover the similarities with other concept development, initial differences (in fact - starting positions) will recede into the background. 2. Now, actually, of understanding and intellect ... About worldview. Slightly more complicated: a thought experiment. Refuse to experiment with all the knowledge and experience acquired us for life. There are no laws, rules and cause-effect relationships. Disables fantasy. Nothing invent and do not have to guess: we operate only with the that we know for sure. So, we just gave up all knowledge, and therefore (in the experiment) in the head with us absolutely empty. We know nothing, have no ideas about anything and do not even know what it means to "have representation. "begins to learn anew: Imagine a point. It's you. Or me. It does not matter. One man, one person, one soul, plus mind. One point ... Presented. What's the point? We do not know - an abstraction. We have not yet identify any metric that is not the essence of this space. We can even do not believe that the point of something to eat. But we may come to mind to check it (here it is - a key point transition from the stage of accumulation of internal experience to the stage creation and the beginning of understanding). Begin to investigate space around a point. Let's say the first thing we noticed attention is the color: the color of this space? Do not dream or guess: we do not know. It is not yet defined. It turns out that there is no clear answer to this question we can not provide. Stand on the position of the point and look closely at the sides. Suddenly, something happens (let's call it inspiration) and abstraction just instantiated: we see something very vague, incomprehensible, it is, it can be seen, but nothing concrete to say about him is impossible. As if we look through the impossible defocused optical instrument. We look into my eyes, trying to peer into, to make out though any difference in that essence, which so uncomfortable look through the defocused optics. And so we begin seem that someone is condescending, as if seeing our efforts, very slowly begins to adjust the optics. This is a very nice of him, but not really help us: we still nothing concrete has been seen: only slightly reduces blur it is not clear why. Let us again remind ourselves: we know nothing and nothing invent. Do not try to understand the allegorical meaning above, or apply it to something well-known type art, music, etc. Nothing figuratively not here, There is only a point (you) and space, of which we can say only one thing: it is, and if you stare at him long, you can even see some sort of heterogeneity, but no more. So, we continue eksperiment: distract from the space and look at the point. That's us. What we know about ourselves? Well, Actually, nothing (we who turned in all knowledge), but we can feel, and (in one degree or another) to understand and evaluate themselves. You can take a little time on self-study, this in fact need not rack his eyes, staring at the incomprehensible misty distance. If our point in space - we are, then this point has to our mind, the ability to feel and remember. Ourselves, we can consider without strain, unlike Space (optics does not allow). Well, how easy it is to watch for themselves (a point with a small set of known properties), so it is difficult return to the observation space: did not really It can be seen and to see anything, have strongly strain ... Or maybe vice versa - relax! Can try. We relaxes mind, become spread it, and after a while, when we have completely ceased to try to see something concrete, we suddenly notice the slight change in the pattern: as though it became more clear. If we try to look into any specific point, we lose the overall species: general fuzziness does not decrease, and the eyes in vain strained. Soon we begin to realize that it makes no sense to catch and looking at separate points in space, since optics through which we look at the space equally focus (or rather, out of focus) against it around. Over time, we gradually change the focus of our optics and begin discern something more concrete. At least, we have can assess the color of some sub-parts space, and if us to become visible at least roughly the boundaries of these sub-parts, we can introduce the notion of "size" and "distance" and roughly estimate their magnitude. In the next stage we have begin to know and feel the essence of any kind. The remaining entities may be less understandable to us, but at the Indeed, they are just as open to our understanding and learning as all the others, since the optical focus on all the entities the same magnitude. Here, perhaps, can be stopped: still a human life not enough for you to expand the view so that move the optical focus of the extreme far position enabling we are absolutely clear about space in general. But We note that the original optics were focused in opposite, extreme close-up position: we have only seen one point familiar to us, only myself. In fact, the entire experiment lay in the fact that the force of thought and will at least slightly shift their understanding of the infinitely close and personal acquaintances concepts to the infinitely distant, the general concepts. Frown: Generally, if go into metaphysics, I would have limited ("prohibited" - Too harsh word) public religion. In them, there are some paranoid, and some one-sided ... Teach people to build religion - everyone makes for themselves their own, internal religion. The concept of Manwe, for example, is well within Zen Buddhism - philosophy and human senses - the essence of prism. Through the prism and the perceived world. And! Cognize peace "in parts", gradually, it is impossible. As the camera lens - Or we leads us to focus and see the whole picture, or we do not see anything - just colored spots. Obviously, the degree focus may be different. Manwe: 3. The same, but simpler and familiar examples, to fixation. There is an understanding. In terms of traditional religions Divine Essence should be called something of infinite understanding. This condition corresponds to a completely focused lens in vysheopisanom mental experimentation with knowledge of the world. As part of our physical, world (modern man in himself has brought up the habit to take only him, and nothing else), we can not reach a complete understanding. Because we are accustomed to exploring the world of physically disabled senses. And, more importantly, we have a finite set of sensory organs (assumed that they were only five). From all existing, some forms of space can be certain losses projected on the subspace of our feelings (or rather, a limited subset of this subspace). But even within this set can be achieved varying degree of understanding. Example: Take for example a pencil drawing (say, a landscape will be): we have a projection of the physical world (how knows his people in their oschuschueniyah) on three-dimensional space (1 - horizontal sheet, 2 - vertical sheet 3 - the number of slate chips at each leaf). In this projection loses the original time coordinate (the motion), color, odor, temperature, etc. However, if we try to look at whole (!) at our meager three coordinates (horizontal, vertical, saturation), it is the holistic approach (rather than detailed study of each individual point in considering sheet-blank) could open up new coordinates (in Within the same three-dimensional space, as it is not ironic). I propose an experiment: to start looking at leaf in focus, then slowly move aside him. Harshness images increases, and the farther we move aside list, the more visible and - importantly - we see more clearly! Aha, here they are - the strokes. They all have a certain character: some of them by air, other severe, some mild, others - bold. Slightly blurred but if you push the sheet further, they become quite clear. So, we can introduce the basis of a higher level: in our metric appeared notion character strokes (as well as its length, slope, etc.). Having admired the beauty of combination strokes, we can move to the next stage of generalization: finishing touches are added to the form. Further, removing leaves, we find the interaction forms (interposition, shadows and etc.), and after - and the nature of the forms themselves. Here you can enter the basis an even higher level. In the final etoge we arrive at maximum degree of generalization: the image. United and indivisible image, which is unfolding on any of the bases of lower level will only be a step backwards to an incomplete, a narrow understanding. The final image is indivisible and can only be determined in the basis maximum level, the only coordinates is understanding. 4. Understanding. In this article I tried to show that the maturity of the individual estimated one coordinate higher basis, and the name of the coordinate - Understanding (at least that I know the words, I can not choose a more suitable). Also, it was shown above that "Understanding the individual parts - it is nothing like the lack of Understanding. Maturity of personality is determined by "location" on Ways of understanding - from the point of focus on self to point of focus at infinity. This criteria of maturity incredibly important in the context of a dispute about the role of intelligence in creativity (remember that the transition from stage to stage student creator can only have developed personality). Thus, becomes apparent link between development intellectual and philosophical and creative side of the personality. Returning to the example of a defocused lens, in the most simple terms, we can say that the more a person sees, those of the more he can tell. And the more clearly sees, the more reliably and effectively can transmit what they see. Say, as music can convey a sense? Need to see them first, and not at the physical level (the lower base - 5 human senses), and at the higher. The same sentiments expressed in the coordinates of the basis higher levels can be projected to a lower basis without a loss - this means that what music will be appreciated and close to everything. Promotion of ways of understanding gives us a qualitatively new levels - new complex coordinates and bases. Creating anything in the coordinates of the high basis, we are guaranteed have the possibility of projecting without a loss on the bases more low level, thus covering a wide spectrum of concepts - from household ideas to our level. However, the expression in the coordinates of a sufficiently high basis entails the risk of distortion when projected onto the lower level of perception: the passage of ideas through each level Understanding may make an error. It suffices to recall that the highest degree of understanding and representation of a world that can be given only to the Divine Essence (in terms of contemporary religions), has undergone such changes in projected through a variety of levels, which in the basis human feelings from her almost nothing left: understanding of the world, the universe - is the very world, the universe - does this tell us our 5 senses in contact with the world? No too much distortion got used the idea of going down to the level of perception of our senses. In applied terms, this means that creativity, expression, personality development may no longer be clear at a lower level ... Frown: Music - bridge. Conductor between us and the real world. So way, a very sobering thought - what the world - we do not know. We perceive. Reached out, felt the subject - we have returned sensation. And music - as a kind of metaorgan - press Keys - have created a sound. Built a sound - in our ears back music. It's simple. 5. Practice. I close my eyes and see that everything around me stopped. And do not moves for a year. My world does not change. Universe moves, and I stopped my little world and I think the days that pass, leaving no trace - days not filled with joy, love, do not carry the development that do not contain any movement. AND I think the year they are not trying to change anything - how many left until the end. And I write "Counting Days" ... Thought recorded on paper, has a greater impact - and understanding, expressed in music, recorded by multiple echoes penetrates deeper. Two years pass and I can not stop wonder how in that moment the music opened my eyes and showed My relationship with the world. Who is the author of this music? I? I do not think that it's true - it is only abstracted from himself, in an effort to see and understand their relationship with the world, I discovered a feeling which simply recorded the most flexible and succinct way (from I know of). It's like a translation from one language to another. The music itself there without me, it is - an attribute of the World. I am only allowed to see and record what he saw ... Previously, I looked at myself: how my fingers get in the press or string, as follows diversify arrangement, as combined sounds of instruments ... The more I expand perception, the I worry less about the details of the sound, the songs: all of this already created the universe, and exists as a harmonious form - if I realized I saw something, I just need several hours to bring the concept in music. Main criteria that determines whether I'll sit down now for the instrument (for tracker) - clarity: how well I can see what I want describe how an understanding fills me how fills the energy necessary to translate into sound ...
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