Musical review.
Unfortunately, I don’t have time to do it myself
look for music music news from the Internet and write on this topic
articles. But recently I came across the magazine "PLAY". Actually everything
I copied the articles from its glossy pages.
DAS ICH.
DAS ICH - come from the German, electronic "gotto" -
ghetto. Of course, the fruits of their creativity are intended not only for
Aryans but also on many lovers of German-language, Gothic
lyrics. The leader of the group was Stefan Ackermann, a man with three
sixes on his chest and a thirty-centimeter mohawk on his head.
A group for fans of the aesthetics of pain in the style of Friedrich Niedsche or
Charles Baudelaire.
Ekatirina Efimova.
LACRIMOSA/ECHOS.
The most ambitious creation of the tearful duet to date
Tilo Vulfo and Anni Nurmi. LACRIMOSA has traditionally been listed in
"heavy lift": trampling fuses, gothic harmonies, we do it from here
conclusion. Meanwhile, if you listen to LACRIMOSA records, they will spoil
starting not with “ANQST”, but with “EINSAMKEIT” will catch your eye
dominance of some non-metallic elements. As a result, this
The disk of the heavy partition crawled into the general one. If you love
Beethoven this music is for you.
Artem Rondarev.
CRADLE OFFILTH/DAMNATION AND A DAY.
Continuation of national rock traditions. A masterpiece, truly
English bdek metal opera. The newest work of the presenters,
British, if not global, black sheep are again causing quite a few
talk about corruption and oppression - especially in light of the release
CD on a transnational major label. However the same
All CRADLE OF FILTH works were discussed except the very first one.
This time the sign of creative evolution was the general,
inextricable co-conceptuality of the opus, strengthening the role of the keyboard
sound (through the efforts of Martin Powell) to downright prog
metal proportions. Very complicated arrangements with
female singers and even Martin’s violin. Gender
Allender concocted a guitar in the style of the mature IRON MAIDEN. In the end
we get a classic, English horror film, only for
ears.
Vsevolod Baronin.
SATYRICON/VOLCANO.
A black metal band on a major label is a sure sign
apocalypse. It's difficult to say what motivated EMI's intentions.
to popularize such a purely underground industry as
Norwegian black metal, but major ties did not force SATYRICON to
dismantling the usual creative schemes. Satyr and Frost are still
remember their satanic genesis. On "VOLCANO" group
continues hiscampaign against satisfying philistinism, peasant
confessions and other manifestations of humanity that are objectionable to her
culture.
MANDRAGORA SCREAM/A WHISPER OF DEW.
Italian gothic metallers are gaining penalty points. Once upon a time
this group was something of a mini-sensation in its circles. She
balanced between innovation and tradition, which is why they
were placed in different categories. Nevertheless, the continuation
It turned out to be no example of a more depressing beginning. Stunted Gothic motifs
a concept built on the history of the world does not save
vampirism, non-infernal timing of 66 minutes and 6 seconds.
CATHEDRAL/VLITH COMMING.
The workers of mystical proto-doom are slowing down. Listening
their albums, it's hard to believe that in 1987 Lee Dorrian played
snarling sprint records on NAPALM DEATH's debut LP.
Three years later, Lee Dorrian formed CATHEDRAL and was from
nature, not a lazy person, began to set records of a different kind in
writing the slowest doom ever. It went on like this
until 2001, when the album "ENDTYME" was released. Reefs
boring and monotonous, but expect something new from Lee Dorrian
It makes no sense, he clearly likes new music.
FOREST STREAM/TEARS OF MORTAL SOLITUDE.
The world has not heard such doom metal for a long time. Alas, Russian media do not
ringing the bells for successour metalheads overseas
territories. But the experimental sublabel "ELITIST" is not in vain
signed a contract with a trio near Moscow - there is no music like this in the world
it took at least eight years. Monumental, symphonic
doom metal with low, growling vocals, truly
hypnotic effect on the listener, not least
thanks to the melody with a folk slant, reminiscent of synth
GORESLEEPS. Emotional music, you just want to cry
under MY DYING BRIDE...unfortunately, when looking at the cover too.
THE END.
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