Micro #26 31 января 2000

hypnosis on stage - Tutorial: Pop hypnosis miracles on stage (Part One).

              VM Kandyba


             STAGE Hypnosis



             MIRACLES ON STAGE



                 TEXTBOOK


           St. Petersburg 1997


              VM Kandyba

Variety hypnosis. Miracles on stage.
Textbook. / Cover design A.
Lurie .- SPb.: Publishing Lan ',
1997 .- 640 sec.

In this book, VM Kandyba outlined the entire
a unique 35-year experience in a professional hypnotist. The 
book is recommended the most general reader, anyone who enjoys 
puzzles and mysteries of the human psyche, its extraordinary 
capabilities. 

The book is published in author's edition.

Protected by the law of the Russian Federation on the copyright.
Reproduction of the entire book or any of its
part is prohibited without the written permission of the 
publisher. Any attempts to violate the law will be prosecuted. 

c Publishing Lan ', 1997

c VM Kandyba, 1997

c Publishing Lan, artistic
clearance, 1997

c A. Lurie, Cover, 1997


               PREFACE

Very often, in meetings with the readers of my
books I'm asked questions about these or other
technical secrets of different variety
foci and numbers.

Mobilize their personal experience and digging
in the literature, I picked up a few numbers that you can learn
Anyone for a short time pre-workout.

Pop Art (public) hypnosis
counts, according to the sacred texts
Rigveda few million years, when more
they started to use the old Russian
priests in order to strengthen its influence demonstrations all 
sorts of miracles. Miracles complex alloys of these trance 
super-powers and a variety of technical devices and mechanisms.


In the art of influencing the masses is very
important to be able to demonstrate some
personal superpowers, some miracles and
extraordinary properties of its own body. Demonstration of a 
miracle is always surprising people and causes an automatic 
emotional dependence and faith in an unusually personal 
demonstrator miracle that greatly facilitates the entire 
predsuggestivnuyu preparation and follow-trance influence.


Art of trance phenomena and public
Wonders in the Russian Empire, was widely
widespread and highly respected, and after
"Christianization," as we do, and in the West, this art has 
been pursued. 

Currently, worldwide there is a process of revival of art of 
public display of miracles. There are many professionals who 
are trying to perform miracles, predict the future, heal and 
influence people's lives.


Last century, the biggest wonders of the demonstrators were and 
are Sergius Radonezh, Seraphim of Sarov, St. John of Kronstadt, 
Grigory Rasputin, Aurobindo Ghosh, Harry Houdini Emil Kio 
(father), Vladimir Durov, Dmitry Longo, Harutyun Akopian, 
Babaji, Nina Kulagina, David Copperfield, Albert Ignatenko. As 
can be seen, the absolute most of the great masters of a 
miracle - it is citizens of our country, which is also

this great miracle.

In our country, artists create art
wonders of the people are very fond of, so universal
lovingly used and enjoyed by recognized specialists: Wolf 
Messing, Igor and Emil Kio (sons). Rose and Anatoly Sokolov, 
Otar Ratiani, Ilya Simvolokov, Khosrow Abdullaev, Inga and 
George Agaronovy, Michael Cooney, Anatoly Step, Yuri Verino, 
Natalia Rubanova, Albina Zotov, Anatoly Furmanov, Amayak 
Akopyan, Allan Chumak, Yuri Mountain, Juneau Davitashvili, 
Svetlana, Tim Basil Amanda, Vladimir Gladilin and many other 
talented artists. 

Art work wonders satisfies
deep need of many people to believe
in the possibility of a person to commit an unusual
and rule over the laws of nature. People
Like, when the wave of the hand master
immediately arise from nothing, or disappear
different subjects, one becomes a
another, miraculously overcome
time, space, gravity, etc.

Art Wonderland takes viewers beyond the commonplace and 
well-established reality and creates a proud and the necessary 
sense of and belief in the omnipotence of man.


The book describes three kinds of miracles, trance, illusion 
and manipulation. Trance miracles are based on the mobilization 
of latent reserve capacities of the human body, located in a 
particular state psyche and physiology. Illusion wonders

based on the use of certain
accessories and special equipment
(Keogh, Copperfield, etc.). Handling
miracles are based on special skill
hands.

Of all the wonders of the higher are the wonders of the first 
group that really demonstrate sverhvozmozhnosti and psychic 
wizard in second place is the art of illusion of miracles, that 
is, technical miracles, and in third place on the complexity

is the art of manipulation of miracles, which is available to 
anyone, even with streets (eg thimblerigger, Kidal and

etc.).

Here we must clearly and unambiguously noted immediately that 
the master of trance wonderland much above and generally 
comparable with magicians and jugglers-manipulators. Master of 
Trance Wonderland used to be called Samani (shaman), priest, 
magician, sorcerer, magnetizer, etc. Now these people called 
hypnotists. But representatives of the illusion (technical) and 
manipulation of miracles are called magicians, and Although 
people loves them very much, but fundamentally different from 
and incomparably masters such Hypnosis, like Rama, Zoroaster, 
Hermes, Buddha, Jesus, Sergius of Radonezh, and others, as 
these masters were doing this Miracles and masters of illusion 
and manipulation do not do real miracles, but only show little 
known to the public apparatus and appliances, plus a sleight of 
hand and deception, imitating the real miracles.


Most of the foci (illusion and manipulation) are based on 
stereotypes of visual thinking, distraction, using various 
technical devices (props) for manual dexterity and on the 
original, well-prepared and rehearsed script.


The majority of the audience there is deep-seated belief in the 
miraculous and the definition of inertia and the stereotypic 
zakompleksovannost thinking. Thus, the majority of viewers 
believe that the magician does the same, as is done all the 
people, but in fact the performance of all the focus is not so! 
and then! how it can be assumed and expected. For example, 
magician warns that now the subject of which he holds in his 
left hand, inexplicably will fly in his right hand, but in fact 
this the subject has long been hidden in his right hand, and

no matter how many viewers or strained eyes and
intelligence, they naturally do not
can see how the subject "flew".

Magician looks do not always go where takes place the most 
important focus for the technology, and wherever he wants to 
direct the attention of viewers to knock them confused and 
divert their attention from a secret movement of arm, leg, 
head, etc. 

Over the years, the world-changing technology, technical ideas 
and technologies that are new, not previously known materials 
with new amazing properties. Why modern magicians, and 
Controllers do not simply repeat the old tricks, and constantly 
coming up with new improvements in accordance with modern 
equipment and technology. 

Their readers want to give some practical advice. Focus can not 
Hide public, while he is not well prepared and

not rehearsed. Second. Focus can not be
repeated twice, even if the audience is very
requested. Third. You should never disclose
Secrets of focus. Fourth. Can never
engage with the audience in the argument, debate,
respond to their cues, etc. Fifth, one can never be embarrassed 
or discouraged, when the demonstration of failure turned the 
focus should be smiling and relaxed and fun switch to another 
number. Sixth. Must always able to joke, to be emotionally

contagious, able to create the desired
mood, which is necessary must be used in the room to music. 
Finally, The seventh rule. The basis of all success is work, so 
exercise more and acquire all the wonders, given in

book. They are written for you!

I wish you pleasant reading and success in training and 
demonstration of miracles! 


       President of the World Association

       professional hypnotists

       President of the World Association

       alternative medicine at UNESCO

       President ASM USSR Academician VM

       Kandyba


                 INTRODUCTION

In today's SC-science to regard any human contact with another 
person or with anything else (books, sculpture, painting, etc.) 
as potentially gipnogennoe communication whose purpose is 
primarily an exchange of information and experiences (emotions) 
with the aim of understanding and regulation.


Thus, any contact between people is
especially the exchange of information and emotion,
and this can happen both consciously
and largely or entirely poluosoznanno
unconsciously. And if the art of translation
regular contact in the hypnotic rapport
through the exchange of information I described in detail
in the book "Psychological Hypnosis," but now we will explore 
the emotional exchange. I recall that when you hover the 
psychological hypnosis focused psychotechnique work with the 
left verbal hemisphere, and the process begins in ordinary 
state of consciousness (OSS), but hover emotional hypnosis 
transfer emotion is instant and largely unconscious, and 
immediately to the right of the sensually shaped hemisphere. 

Psychological beginning of any contact with
another human is the moment of its perception, which are 
perceived and evaluated by both external and internal features 
of the hidden personality partner. Thus, each partner contact 
develops the subjective-objective image of his partner, who 
then largely unconsciously, but strongly impact on future 
relations, shape and contents of their communication and 
behavior. 

In the process of contact persons can share thoughts, ideas, 
views, and etc., expressed in speech, as well as feelings, 
moods, feelings that sent an expression of face, eyes, 
intonation, exclamations, gestures, etc. But the main thing 
which affects the direction and rate of change in the OSS - the 
result of initial emotional contact, so on what will form the 
initial emotion, and will depend on everything else. A

because emotions are formed almost instantaneously
and mostly unconsciously, the person
who will be able to simulate a partner
desired emotion gets the opportunity to smooth the impact of 
the fittest and manipulating his consciousness and behavior. 
Given the reality of the concept of psycho-modeling technique 
specific emotions with a partner will be reduced mainly to the 
ability to simulate the desired emotions in himself, and 
further "contamination" of its happen instantly, automatically 
and unconsciously partner. This principle initial 
samovhozhdeniya himself in desired emotion and was the basis 
for all ancient magic. Therefore, all the sages

all times and people give and give one and
the same advice - love your neighbor himself, and then 
automatically those with whom you communicate, love you and you 
will live better and happier. Or to put it simply, you want to 
be happy, learn to truly love people.

But, I repeat, honestly! - Otherwise nothing
it does not, as mutual understanding between people is 
primarily due to unconsciously transmitted and received 
emotional and feelings, and only then - with the interpretation 
of the image perceived by a person and received information 
from him: verbal and nonverbal. It should be noted immediately 
that in the absence of the original understanding,

which, as we have noted, fully
stained and depends on the initial emotions
no regulation of mental states and
Reactions to communicate or their actions, behaviors, actions, 
etc. impossible. 

Gipnogennye contacts between people, carried out by means of 
speech (verbal) non-verbal (non-verbal) and the figurative 
sense means. 

Emotions and speech - the main means of gipnogennom contact, as 
it was spoken word voice more fully and accurately convey every 
thought and every emotion or feeling. It is emotive

it allows the hypnotist to quickly achieve
understanding in different situations and
effectively influence the reactions and behavior
hypnotic. Therefore, they are sadly mistaken
hypnotists, who built his speech with a monotone and 
bezemotsionalnoy such "neutral" speech considerably lengthens 
the path to "Hearts and minds" hypnotic, while

emotional speech just works - quickly, unconsciously 
(automatically), and effectively, without snopodobnogo hypnosis 
but trans, however, develops, and much higher quality - the 
emotional hypnosis, and the higher the level of emotional 
stress, the more there is a strong trans. 

Thus, language and speech hypnotist must distinguish, but do 
not oppose and not to separate from each other. Language - is 
worked out according to society in the course of its historical 
and social development of the system of words, combinations and 
pronunciation rules. Creator Language is a particular nation. 
In the language preserved and transmitted to succeeding 
generations of knowledge, science, culture and experience 
accumulated by all mankind, and therefore the language - A 
repository of all social progress. 

Any language spoken by the hypnotist
primarily represent the composition of significant
words (vocabulary language), grammar, sound
structure (phonetics), and written symbols. For
Every word has historically embodied a certain generalized 
meaning. Generalization meanings of words provides hypnotist 
breadth and variety of thoughts and suggestible experiences, 
and hypnotic generalized meaning of words can represent and 
reason and think about all objects and phenomena even when they 
are not directly before the eyes.


With regard to speech, speech - it is a process of verbal 
communication. Speech of any hypnotist is very individual, and 
in speech each person is particularly

his personality. For example, the strongest
emotional hypnotists XX century - Gandhi
Rasputin, Stalin, Castro and many others had a deeply personal, 
highly expressive and emotional speech, no each other not like, 
but having one of the most important inner quality -

emotional contagion, wealth
shades of feeling and transmitted gipnogennostyu even in the 
pauses. 

It hypnotist always expresses certain emotions and thoughts, 
but it can be said aloud or to himself, "so we distinguish 
between external and internal speech, or mental pronunciation. 
External speech may be oral or written, in the form of 
monologue or dialogue. 

External speech. It is expressed in speech and
writing. The simplest kind of speech is a dialogue. This
speech - is supported, as speech activity hypnotist activity is 
accompanied by questions, remarks, additions his partner. Of 
the interlocutors need not only the ability to speak, but 
listen to the other, introducing him to speak. 

More complex kind of speech
The hypnotist is a monologue, that is, speech
made to many, several, sometimes
even to a single listener (Lecture, presentation,
narrative speech on radio, television, the presentation of 
installation, etc.). This speech unsupported remarks 
interlocutors. It requires the ability to link a hypnotist, 
consistently, skillfully present their thoughts, giving them a 
completed form. Usually it is prepared speech. Special

place in monologue speech hypnotist
hold intonation, gestures, pauses, facial expressions.
The ability to use them to greater
emotional expression - a prerequisite for effective impact of 
monologue speech. 

Hypnotist, referring to monologic
speech to the hypnotic, must constantly monitor how he listened 
to, in the absence of attention to change the content and 
expressive means of language. Any hypnotist must develop their 
ability to monologic speech, given that She coached.


In spoken - or dialogic monologue - speech should be guided by 
the following rules: it is clear the result of clear thinking, 
outlining his thoughts hypnotist must be able to control

his speech (listen to the ears of people for whom he says) and 
evaluate it from the point view of the correctness of 
expression, consistency, accessibility, clarity pronunciation 
of each word, suggestive effects, reactions, etc.


Written speech is represented by
written characters, and may be facing
One well-known person, to a complete stranger to the person or 
to the huge the most diverse audience of readers (in

newspaper and magazine articles, books, scientific papers, 
etc.). She is a speech, a monologue, but differs from the 
spoken monologue that is devoid of emotional intonation and 
wealth and not has a bearing on the expressive means:

gestures, facial expressions, pauses. Therefore, all its 
contents must be presented in the most expanded form. In 
writing to seek expressions of accuracy, choosing his words 
carefully and formulations to comply with the rules of logic 
and grammar. Write - Means to work on verbal expression of 
their emotions and thoughts. Written speech arises on the basis 
of oral and secured possession requires special training. And 
in writing should be guided very important rule: setting out 
his thoughts, need to control the availability and clarity of 
presentation, and most importantly, it be able to pass a 
written emotions, feelings, experiences and bring these needed 
unconscious reactions and thoughts. 

Inner speech hypnotist. This speech
soundless, to no treatment, self-talk. It occurs when the 
hypnotist thinks, is preparing to performance, a lecture or 
having difficulty in resolving the issue, uses auto-suggestion, 
etc. The main feature of inner speech is that it

it folded: it is usually omitted
most of the sentence. Reduced even words. Inner speech is based 
on the outside. It is the peculiar difficulties of the 
transition to Foreign expanded speech. They arise

because the idea expressed in an abbreviated inner speech is 
understandable most hypnotist, but an attempt to express it in 
expanded form is not always possible. This must study 
specifically. 

Properties of speech hypnotist. There are two
Group properties of speech. The first group includes
those associated with the correct pronunciation of words and 
sound, the richness of vocabulary, clear construction of 
phrases no unnecessary words, so-called

words parasites (so to speak, "" mean "
"Here", etc.).

The second group includes those properties with
that entail the implementation of the hypnotic effects on 
people: substance, clarity, expressiveness, efficiency

and emotional speech.

The content of speech is determined by the amount raised in her 
thoughts. Can pronounce many words, but say very

small. We must be able to present important, not glossing over 
its minor details. Content of speech depends on the clarity and 
depth of thought. 

Intelligibility of speech is determined by its accessibility, 
clarity for the listener. This particularly important for 
speech monologue and writing. Intelligibility of speech is 
associated with its logic, conciseness, simplicity and ability 
to take into account the peculiarities of listeners. 

Specific terms and complex concepts can be
apply in confidence that they
known to the audience. Otherwise
needed further clarification.
Surprisingly clear about the complex said V.
Lenin, Maxim Gorky in the memories of
It said: "The first time I heard about that
complex issues can speak both
simply. "

Emotional expressiveness of speech determined by the diversity 
and timeliness of use non-verbal means. Associated with them 
subtle and complex nuances of speech, its energy, passion, or 
brightness, Conversely, the monotony, fatigue, pallor. 
Particularly important for the correct application of 
expressive speech intonation, pauses, gestures, facial 
expressions. They convey relation to the hypnotist stated 
material. The same phrase in content may, depending on the 
emotions, intonations, facial expressions, gestures to transmit 
different emotions: from excitement to sadness. Therefore, the 
hypnotist must develop the ability to see and hear themselves 
as if from the outside. 

Vozdeystvennost speech hypnotist by the fact that every speech, 
addressed to another person, intended to affect its

thoughts, feelings, beliefs and deeds. The aim
this impact is largely determined by
selection of words and the use of non-speech
funds. Particularly important subtle use of intonation. 
Makarenko wrote: "I became a true master only when I learned to 
speak, "come here" with 15-20 tones, when we learn to give

20 nuances in setting those figures, voices. And then I was 
afraid that someone to I will not do or do not feel that

that need. "For hypnotists ability through speech to influence 
people's behavior is especially important. Therefore, the 
ability to pronounce words so they sounded, if necessary, 
request, command, surprise, threat, ridicule, etc., should be a 
professional skill . 

The emotional impact of the hypnotist may be effective only if 
it includes in addition to verbal and nonverbal (nonverbal) 
funds. They also serve means of expression of various feelings,

communication, emotion, affecting
human behavior. Not by accident while
conversation one of the interlocutors in a tongue leading role 
in promoting mutual understanding begin to play it non-verbal 
means, especially emotions. 

Non-verbal means of communication varied:
mime, pantomime, gestures, voice quality, intonation, pauses, 
eye contact, spatial and temporal organization of 
communication, motor vehicles, exchange of various objects, etc.


Mime, pantomime, gestures - the most important
means to ensure the vitality, emotional hypnotic contacts.

Mimicry - it's expressive facial movements:
motion eyebrows, lips, forehead muscles,
wink, etc.

Pantomime - it's expressive movements and
body position.

Gestures - conditional motion (pointing,
inviting, threatening, etc.) hands
fingers, head and shoulders.

Voice quality, its altitude, pitch, intonation, pauses, the 
inclusion of coughing, laughing, crying, finally the rate of 
speech and are a form of non-verbal means

emotional communication.

Facial expressions, gestures, pantomime, voice quality is 
mainly due to innate mechanisms and occur spontaneously (eg, 
changes in force to vote, shaking his with anger, fear). 
However, they are due socially. Guided by the needs of society, 
the child learns to manage non-verbal means of communication. 
Especially clear is detected by observing the congenitally 
blind people. Blind children do not able to express their 
feelings in line with socially accepted norms: at the moment

fun look unhappy, and when necessary
be serious, make different faces.
During training, these drawbacks are eliminated.

Kind of non-verbal means of communication
a hypnotic eye contact. So
passed through a series of messages. For example,
in the treatment process view hypnotist can be a sign of 
attention or disapproval negligent patient. Exchange of views 
can serve as a signal to perform certain

action.

By means of nonverbal communication is
spatial and temporal organization.

For instance, placing face to face contributes to a contact is
attention to the speaker. The greater the distance between 
communicating, the official contacts. Distances are divided 
into personal (for communication between friends) or social 
(for official communication). The temporal organization of 
communication also adds voice contacts. There came to symbolize 
the beginning of the meeting courtesy of the partner, the delay 
shall be construed as disrespect. Spatial and temporal means of 
communication are essential only if the other conditions being 
equal contacts, but even under this restriction should be taken 
into account. 

Means of nonverbal communication are
and motor actions, deliberately used to send messages: movement
ballet movements conductor in an orchestra, traffic 
controllers, etc. This specific means of communication, they 
are used in various types of vocational activities, where 
without understanding communicating impossible.


Kind of tool nonverbal communication
is the exchange of objects. Transmitting or
sending each other things, those people
most reports, or remind us of certain responsibilities towards 
each other, conduct. Such, for example, awarding gifts, 
bouquets, gifts, tools or parts during the operation, sports 
pennants, trophies, medals, etc. 

Non-verbal means of hypnosis, play an important
independent role in the hypnotic communication.


          To be continued ...