ACNews #28 15 марта 2004

Музыка

Music - How to take the pace? Alone Coder rasskazvaet on how to generate a rhythm.

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                       Where to get the rhythm?

                    (Just a little thought)


                           1. Dialogue

n1k-o> I also like the way to write, especially my pins
Ping 'seenpoint> buzz' - the original of such execution
was not! %)
a> well, Duc, I do not like then seenpoint: n1k-o> Popsnya? :)
a> I would like here to emphasize the difference between the 
different type of construction tricky rhythms:

1. unusual placement of notes on the lines, ie pentolnoe etc.
(StrRythm)
n1k-o> I love it here yet and experimenting
experiment:)
a> 2. stretching normal rhythm in a fraction (seenpoint,
AY unlimited)
n1k-o> a common thing
[By the way, and yet "AY unlimited" was entirely written in an 
hour and without sound%) and no errors in 42 patterns! The very 
surprised! :)] a> 3. writing part of a pattern in the same 
rhythm of the other ("I do not understand," etc.)

n1k-o> I'm still a little fiddling with it, but it turns out 
funny things.

a> 4. this complex rhythm (dark thoughts, crack sucker
etc.)
n1k-o> In fact, the crack sucker's not so difficult:)
I'm very easily picked up by ear.
You can still vkraplyat between patterns or pattern of small
fragments, well etc. (Eg, as in 'ours')


                         2. Thinking

I never heard a decent literature on the rhythms in music. I 
mean the overall ripple rather than a rhythmic pattern tunes 
(though about it, I also did not read it). Why is this 
literature is not for sale on every corner, in contrast to, for 
example, from books in harmony? Perhaps the academic theory is 
weak? Or instrumentally rely solely on imagination drummer? 
These drummers are (people with an innate sense of rhythm, they 
may be, and are not), but that they should something to follow. 
I mean, fine composer's idea, which in playing the drums weak. 
And on AY selection is generally not - for all performance 
meets only a composer. Wriggle as you know - at least make 
rubbings, though in general the shock do not write ... 

Here's another option right now, and advise, universal and 
general ... 

1. Choose rate in the 2.5 - 4.5 (no more than 5).
2. Upload / draw car percussion samples - at least 2 plates, 2
sneyra and barrel. Barrel should be doing "boom" sneyr sound 
like a bucket (one as if not much stress, the second - as if 
every all the forces), and plates - to depict a short "ding", a 
higher, another lower (but not much).

3. Take a blank pattern and track every note put random bowl 
(in two runs with avtoskrollom: 1. Notes, 2. Samples) with 
random volume (third pass with avtoskrollom). 4. Put the basic 
rhythm of a barrel-sneyrom surface. Strikes at the flanks 
secondary rhythms are usually 3-6 on the pattern (and, as a 
rule, on even-numbered lines) and sneyry should be somewhere 
between (also on even lines, but they can, alternating between 
different kuchkovat at end of period). All - Volume F. 5. Look 
what happened. Most likely, there are some "Protruding" plates 
- mute them. If you feel a "dip" in the sound, type there 
drummer of choice (try all three types - or paint specifically 
for this case is open, ie tyanuchuyu, a dish or even some 
original audio). 6. Adjust the volume of barrels and sneyrov, 
they tend to vary slightly. If seems that some sneyr or

barrel (or what have you got there) sounds a little 
"swallowed", deliver a following line. 

Now, one rhythm track is how to make him another pair, while
I do not know:) So Mouzon be short. Continue:

7. In another channel bass envelope Show, one of two options: 
either going somewhere in the rhythm of drums, or regularly 
tumbling on every second line. The second you can even make 
echo:) Bass can even at this stage to lie in terms of harmony, 
but preferably all the same to each group of 8 notes Bass was 
used only 3 different notes - you will also be easier then when 
you change just to change the harmony odnomennye on others, not 
changing the pulsing bass. 8. Bass are? Turn off its feed. Draw 
a melody in the third channel in time to shock (I mean, 
_priblizitelno_ in tact In practice, it may go all in 
antiphase). This channel will be ringing pattern for 2-4 
similar patterns. Raskopiruy and tighten the melody in these 
patterns is 2.4 (or even 8) somehow connected and 
utverzhdayusche. 9. Turn on bass and lost all work. Bass lies? 
Of course. Correct in all patterns, adjusting for harmony tunes.

10. Then I have to do with it:)

To user is not bored, a line of attack may be diluted, not 
really bothering, the following trick: a) the rate of braking in

the end of long periods, and b) that they are the same - a 
complete break for 1-4 sheet music lines, c) patterns for a 
variety of punches just drums or no shock (in the vacant place 
can be forced kontrapunktnuyu theme, in a sense parallel to the 
tune of the same harmony) ... 

Even if you see the tracker for the first time in my life - 
good cheer! Patience, and you may be, will become a 799-m by 
the composer to AY, and not fact that the 799-m job!


                                                        A. 
Encoder